Berlin Contemporary Jazz Orchestra (ECM)_flac
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Berlin Contemporary Jazz Orchestra (ECM)_flacDescription
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Files (34): /Disc 1/07 - Get Thee Behind Me Satan.mp3 (8.7 MB) • /Disc 1/11 - Cheek to Cheek.mp3 (8.7 MB) • /Disc 1/04 - You Can Have Him.mp3 (8.7 MB) • /Disc 2/16 - Blue Skies.mp3 (8.5 MB) • /Disc 2/05 - You Keep Coming Back Like a Song.mp3 (8.2 MB) • /Disc 2/04 - Isn't This a Lovely Day (to Be Caught in the Rain).mp3 (8.0 MB) • /Disc 1/16 - Remember.mp3 (7.9 MB) • /Disc 2/01 - Suppertime.mp3 (7.6 MB) • /Disc 2/13 - Change Partners.mp3 (7.6 MB) • /Disc 1/02 - You're Laughing at Me.mp3 (7.6 MB) • /Disc 1/10 - How About Me-.mp3 (7.6 MB) • /Disc 2/10 - Now It Can Be Told.mp3 (7.4 MB) • /Disc 1/14 - How Deep Is the Ocean-.mp3 (7.3 MB) • /Disc 2/11 - Always.mp3 (7.2 MB) • /Disc 2/14 - No Strings (I'm Fancy Free).mp3 (7.0 MB) • /Disc 2/09 - I'm Putting All My Eggs In One Basket.mp3 (6.9 MB) • /Disc 2/15 - I've Got My Love to Keep Me Warm.mp3 (6.9 MB) • /Disc 1/01 - Let's Face the Music and Dance.mp3 (6.8 MB) • /Disc 2/02 - How's Chances.mp3 (6.4 MB) • /Disc 1/08 - Alexander's Ragtime Band.mp3 (6.2 MB) • /Disc 1/13 - Lazy.mp3 (6.1 MB) • /Disc 1/09 - Top Hat, White Tie and Tails.mp3 (6.0 MB) • /Disc 1/12 - I Used to Be Color Blind.mp3 (5.9 MB) • /Disc 2/08 - The Song is Ended (but the Melody Lingers On).mp3 (5.7 MB) • /Disc 1/15 - All by Myself.mp3 (5.7 MB) • /Disc 2/12 - It's a Lovely Day Today.mp3 (5.7 MB) • /Disc 2/03 - Heat Wave.mp3 (5.6 MB) • /Disc 2/07 - Slumming on Park Avenue.mp3 (5.5 MB) • /Disc 1/03 - Let Yourself Go.mp3 (5.3 MB) • /Disc 2/06 - Reaching for the Moon.mp3 (5.3 MB) • /Disc 1/06 - Puttin' on the Ritz.mp3 (5.3 MB) • /Disc 1/05 - Russian Lullaby.mp3 (4.4 MB) • /Disc 1/front.jpg (66.1 KB) • /Disc 2/front.jpg (66.1 KB)
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Description
Berlin Contemporary Jazz Orchestra
Berlin Contemporary Jazz Orchestra
ECM 1409
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Benny Bailey (trumpet)
Thomas Heberer (trumpet)
Henry Lowther (trumpet)
Kenny Wheeler (trumpet), fluegelhorn
Paul van Kemenade (alto saxophonet)
Felix Wahnschaffe (alto saxophonet)
Gerd Dudek soprano and (tenor saxophonet)s, clarinet, flute
Walter Gauchel (tenor saxophonet)
E. L. Petrowsky (baritone saxophonet)
Willem Breuker (baritone saxophonet), bass clarinet
Henning Berg (trombone)
Hermann Breuer (trombone)
Hubert Katzenbeier (trombone)
Utz Zimmermann bass (trombone)
Aki Takase (piano)
Günter Lenz bass
Ed Thigpen drums
Misha Mengelberg (piano)
Alexander von Schlippenbach (conductor)
01. Ana (Kenny Wheeler) / 22:59
02. Salz (Misha Mengelberg) / 7:49
03. Reef und Kneebus (Misha Mengelberg) / 19:28
Recorded May 1989 at Studio 10, RIAS Berlin, Germany
Engineer: Soren Pehrs
c)1980 ECM Records
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Perhaps in part due to recording for a label, ECM, known for its soft edges, this album, the first by Alexander von Schlippenbach's large ensemble, is a good deal less raucous than one might otherwise expect. All three compositions (and there is a high percentage of written music here) -- one by Kenny Wheeler and two by Misha Mengelberg -- are only a step or three away from fairly mainstream big band jazz. Wheeler's "Ana" opens with a dark, stately theme, not dissimilar from some Willem Breuker works like "Marche Funebre" from In Holland, before opening into a mid-tempo, floating structure for both solos and written counterpoint. Once in a while a soloist, like baritonist Ernst-Ludwig Petrowsky, catapults skyward, bolstered by a robust backing that briefly allows the ensemble to enter London Jazz Composers Orchestra territory, but more often the listener hears a competent work, if somewhat lacking in risk-taking and adventure. Mengelberg's "Salz" is, unsurprisingly, quirkier and packing far more punch, the band wending its way through the off-kilter chart led by Breuker's trademark bass clarinet howlings and buttressed by some wonderful comping and riff-arranging on the part of the composer, always an underrated pianist. His "Reef und Kneebus" is also all over the place structurally, barely bound together by Mengelberg's wit and some nice enough solo work, notably Gerd Dudek's agile flute. Still, some of the solo sections, like Ed Thigpen on drums, don't quite cohere organically with the composition and sound a bit perfunctory. In sum, the Berlin Contemporary Jazz Orchestra's debut release is solid and reasonably enjoyable, but much less "contemporary" than one might have hoped.(Allmusic)
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