Classic Xxx - Night Dreams - Dorothy Lemay, Loni Sanders Hq.avi

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NIGHTDREAMS is the most unusual, unique and innovative adult film yet made.
Five years ago I was the first to champion this film and really had no idea
what kind of impact it would have on future adult films. It has since
pioneered a whole new sub-genre within the industry. It may disturb you, it
may disgust you, it may even offend you, but love it or hate it, the most
important thing is that you will not forget it. The raunchy, gritty
sexuality is combined with truly new wave sets and the MIAMI VICE eighties
'look' taken even further in CAFE FLESH.

The plot centers on Mrs. Van Houton, played by Dorothy Lemay, undergoing
treatment in a psychosexual-therapy session. She is observed by Jennifer
West and Andy Nichols, clad in doctors' robes and adjusting the equipment
wired to Dorothy's head. She is put through a wide range of sexual fantasies
during the session, and the viewer sees what the doctors can only record.

There is no shortage of sex action at all. As each fantasy appears, you
never know quite what to expect. One minute she's in a nursery with a real
life jack-in-the-box, then she's into a three way lesbian cowgirl scene,
with rings of fire, Wall of Voodoo music and Clint Eastwood imagery
abounding. The scene may do for analingus what DEEP THROAT did for fellatio,
but for certain it introduced Danielle to porn fans. There are trips to
Heaven and Hell, visits with drug-smoking Arab Princes, and a rape sequence
right out of DRESSED TO KILL. Every now and then there are different
diversions of a deliberately bizarre nature. A dead fetus appears from the
fly of a mannequin, a Cream of Wheat box comes to life with a dancing slice
of bread (Rinse Dream's cameo) playing the saxophone, or Dorothy with a post
coital cigarette in bed with a wheezing carp.

There is a careful progression to the order of the scenes. There is method
to the filmmakers' madness. What really sets this film apart from others is
this odd style. The two filmmakers [Rinse Dream and F.X. Pope] are from the
regular world of Hollywood who wanted to try their hand at the adult genre.
The camera angles, photography and concepts they present will dazzle you.
Never has an adult film been so perfectly photographed. Each scene, whether
tender, harsh or just plain bizarre, offers something off the wall. The
music track and sound effects are superior. Their influence has definitely
spilled over.

Dorothy Lemay, always a big favorite of true porn fans, has never given a
finer performance. Even Hollywood producers were amazed at the acting
ability she demonstrated. This is an obvious cult film that must be
experienced to appreciate the visual wizardry of the filmmakers. There is a
twist ending that I thought was obvious, but many people have missed it."

>>Some notes on Dorothy LeMay by Luke Ford:

Dorothy LeMay performed in sex flicks from the late '70s to the early '80s.
"I have my own life," says Dorothy, "that I try to keep apart from making
adult movies, but I do enjoy them when the right offers come my way....The
right kind of people making the movie; the money; and a good script. People
have to treat me well and I don't do loops anymore."I enjoy movies more than
loops because movies involve more acting and I have to put more out. Whereas
a loop has hardly any story line and it's mostly silly if there is one. It's
just fast sex."

Dorothy feels excited when she first arrives on a set. "I like to get crazy.
(Laughs). I enjoy seeing people and I enjoy what I do. Even in my first
loop, I was never self-conscious about the camera though I wasn't used to
the angles. (Laughs). "In 1976 I worked at the University of California at
Berkeley . I answered an ad in their Berekley paper that said "make $300 a
day." So I went on an interview with my husband of that time and we started
doing loops. "John Seeman helped me start. He knew the right people to send
me to, though my first movie was a disaster. Formal Faucet. It was gross and
I ran out of the theater crying after I saw it. They had cut the film and
were using someone else's voice and they weren't the words coming out of my
mouth. It didn't make sense. That experience almost made me get out of the
business. Also the filmmakers worked me 18 hours a day for three day. "My
second movie, Sensual Encounters of Every Kind, was done by Harry Lime. It
turned my head around. He paid me twice as much as I was paid for the other
film and he was nice to me. That was the first time I worked with John
Leslie. We did a hot, hot sauna scene."
Dorothy left the biz after Nightdreams." I had just broken up with Ernie who
I met during High School Memories. I had my first lesbian affair because I
hated Ernie. I had a good job at ABC Messenger Service in LA, so I decided
to cool out from the business for a while. "My family doesn't know about my
erotic career. My mother knows I was in 10 for ten seconds in the nude
scene. My sisters and brothers went to see it and they came home and called
me long distance at two in the morning, and said, "Dorothy, you're
sinnning." "We were supposed to film [10] for two days, but the weather
wasn't right, and Blake Edwards [the director] didn't work if the conditions
weren't to his liking. But we got paid anyway. And we'd [a group of porn
stars recruited for a nude scene in 10] get crazy in our Culver City hotel
room. Annette Haven had her leather party one night and room service walked
into it. Jamie Gillis and Serena were there. Craziness. The hotel management
didn't like us after that and we didn't get any more room service.

"It seems like every time I do a film, I haven't had sex for like a month
before. So when people call me, I say yes [breathlessly]. I know it's going
to be good sex. I get off on cameramen. I've dated a lot of them "I'm a
faithful girl when I love somebody. So I only indulge in outside sex when
I'm filming. That's why I'm so happy to be in this business." (Adam 1/83)

Dorothy's favorite movie is Nightdreams. "I dated the gaffer after that one.
He was a neat guy who made it fun for me to do the movie. And the people who
made the movie were nuts." What did you think of that Cream of Wheat scene?
[She sucks off a black man wearing a giant Cream of Wheat box.] "That guy
apparently had never had a blowjob and he was 26. He was married and I don't
know why his wife wouldn't get into that. He was nervous and he had to drink
whisky before the scene. And he was swerving the box so they laid him down
of the floor. [Which didn't deter Le May from pipecleaning.] That was my
first time working with a black guy. It wasn't something that I didn't want
to do. I had just never met one in that situation. "Annette Haven and I
worked together at the Mitchell Brothers [O'Farrell Theater] for a week.
Annette took this big dildo and stuck it in me, and I said, "Annette, you
have no mercy." We 'd come in softly and she'd go offstage. I would be
laying there and the music would hit a hard beat and she'd come out in her
leather stuff. It was fun until she was pulling a string of balls out of my
vagina, and she pulled hard and one was left inside me. I got hurt and I
couldn't perform the last day. Annette can get mean - she's playing that
role and she means it."

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