Comedy - PDQ BACH - Houston We Have A Problem
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Comedy - PDQ BACH - Houston We Have A ProblemDescription
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Files (17): /We.Have.a.Pope.2011.DVDRip.DD5.1.Eng.NL.Subs.EE.Rel.NL/VIDEO_TS/VTS_01_1.VOB (1024.0 MB) • /We.Have.a.Pope.2011.DVDRip.DD5.1.Eng.NL.Subs.EE.Rel.NL/VIDEO_TS/VTS_01_2.VOB (1024.0 MB) • /We.Have.a.Pope.2011.DVDRip.DD5.1.Eng.NL.Subs.EE.Rel.NL/VIDEO_TS/VTS_01_3.VOB (1024.0 MB) • /We.Have.a.Pope.2011.DVDRip.DD5.1.Eng.NL.Subs.EE.Rel.NL/VIDEO_TS/VTS_01_4.VOB (1024.0 MB) • /We.Have.a.Pope.2011.DVDRip.DD5.1.Eng.NL.Subs.EE.Rel.NL/VIDEO_TS/VTS_01_5.VOB (367.9 MB) • /We.Have.a.Pope.2011.DVDRip.DD5.1.Eng.NL.Subs.EE.Rel.NL/VIDEO_TS/VTS_01_0.BUP (58.0 KB) • /We.Have.a.Pope.2011.DVDRip.DD5.1.Eng.NL.Subs.EE.Rel.NL/VIDEO_TS/VTS_01_0.IFO (58.0 KB) • /We.Have.a.Pope.2011.DVDRip.DD5.1.Eng.NL.Subs.EE.Rel.NL/VIDEO_TS/VIDEO_TS.BUP (6.0 KB) • /We.Have.a.Pope.2011.DVDRip.DD5.1.Eng.NL.Subs.EE.Rel.NL/VIDEO_TS/VIDEO_TS.IFO (6.0 KB) • /We.Have.a.Pope.2011.DVDRip.DD5.1.Eng.NL.Subs.EE.Rel.NL.nfo (1.8 KB) • /Torrent downloaded from AhaShare.com.txt (58 bytes) • /Torrent downloaded from Demonoid.me.txt (46 bytes) • /Torrent Downloaded from TorrentState.com.txt (46 bytes) • /Torrent_downloaded_from_www.puretorrents.cc.txt (36 bytes) • /Torrent downloaded from Rarbg.com.txt (33 bytes) • /Torrent downloaded from silvertorrents.me.txt (29 bytes) • /tracked_by_h33t_com.txt (23 bytes)
Size: 835.17 Mb Age: 4 years
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Files (123): cd1/16--WTC Vol I, Fugue No. 8 in E-flat minor, BWV853.flac (19.1 MB) • cd3/20--WTC Vol II, Fugue No. 18 in G-sharp minor, BWV887.flac (18.7 MB) • cd2/12--WTC Vol I, Fugue No. 22 in B-flat minor, BWV867.flac (18.3 MB) • cd2/25--WTC Vol II, Prelude No. 5 in D major, BWV874.flac (16.5 MB) • cd1/23--WTC Vol I, Prelude No. 12 in F minor, BWV857.flac (15.8 MB) • cd2/16--WTC Vol I, Fugue No. 24 in B minor, BWV869.flac (15.8 MB) • cd1/13--WTC Vol I, Prelude No. 7 in E-flat major, BWV852.flac (15.5 MB) • cd3/28--WTC Vol II, Fugue No. 22 in B-flat minor, BWV891.flac (15.1 MB) • cd2/08--WTC Vol I, Fugue No. 20 in A minor, BWV865.flac (15.1 MB) • cd1/28--WTC Vol I, Fugue No. 14 in F-sharp minor, BWV859.flac (14.0 MB) • cd2/11--WTC Vol I, Prelude No. 22 in B-flat minor, BWV867.flac (13.7 MB) • cd3/11--WTC Vol II, Prelude No. 14 in F-sharp minor, BWV883.flac (13.5 MB) • cd1/15--WTC Vol I, Prelude No. 8 in E-flat minor, BWV853.flac (13.2 MB) • cd3/17--WTC Vol II, Prelude No. 17 in A-flat major, BWV886.flac (12.9 MB) • cd2/22--WTC Vol II, Fugue No. 3 in C-sharp major, BWV872.flac (12.8 MB) • cd3/12--WTC Vol II, Fugue No. 14 in F-sharp minor, BWV883.flac (12.6 MB) • cd1/24--WTC Vol I, Fugue No. 12 in F minor, BWV857.flac (12.5 MB) • cd1/08--WTC Vol I, Fugue No. 4 in C-sharp minor, BWV849.flac (12.1 MB) • cd3/15--WTC Vol II, Prelude No. 16 in G minor, BWV885.flac (12.0 MB) • cd3/04--WTC Vol II, Fugue No. 10 in E minor, BWV879.flac (11.8 MB) • cd2/23--WTC Vol II, Prelude No. 4 in C-sharp minor, BWV873.flac (11.6 MB) • cd2/17--WTC Vol II, Prelude No. 1 in C major, BWV870.flac (11.2 MB) • cd3/25--WTC Vol II, Prelude No. 21 in B-flat major, BWV890.flac (11.0 MB) • cd2/26--WTC Vol II, Fugue No. 5 in D major, BWV874.flac (10.7 MB) • cd3/16--WTC Vol II, Fugue No. 16 in g minor, BWV885.flac (10.5 MB) • cd1/07--WTC Vol I, Prelude No. 4 in C-sharp minor, BWV849.flac (10.3 MB) • cd2/06--WTC Vol I, Fugue No. 19 in A major, BWV864.flac (10.2 MB) • cd3/23--WTC Vol II, Prelude No. 20 in A minor, BWV889.flac (9.9 MB) • cd1/19--WTC Vol I, Prelude No. 10 in E minor, BWV855.flac (9.8 MB) • cd2/31--WTC Vol II, Prelude No. 8 in E-flat minor, BWV877.flac (9.4 MB) • cd1/30--WTC Vol I, Fugue No. 15 in G major, BWV860.flac (9.3 MB) • cd3/01--WTC Vol II, Prelude No. 9 in E major, BWV878.flac (9.3 MB) • cd3/05--WTC Vol II, Prelude No. 11 in F major, BWV880.flac (9.1 MB) • cd3/09--WTC Vol II, Prelude No. 13 in F-sharp major, BWV882.flac (9.1 MB) • cd2/32--WTC Vol II, Fugue No. 8 in E-flat minor, BWV877.flac (9.0 MB) • cd1/01--WTC Vol I, Prelude No. 1 in C major, BWV846.flac (9.0 MB) • cd1/31--WTC Vol I, Prelude No. 16 in G minor, BWV861.flac (8.9 MB) • cd3/30--WTC Vol II, Fugue No. 23 in B major, BWV892.flac (8.8 MB) • cd1/03--WTC Vol I, Prelude No. 2 in C minor, BWV847.flac (8.7 MB) • cd3/18--WTC Vol II, Fugue No. 17 in A-flat major, BWV886.flac (8.5 MB) • cd2/15--WTC Vol I, Prelude No. 24 in B minor, BWV869.flac (8.5 MB) • cd3/03--WTC Vol II, Prelude No. 10 in E minor, BWV879.flac (8.4 MB) • cd1/32--WTC Vol I, Fugue No. 16 in G minor, BWV861.flac (8.4 MB) • cd1/06--WTC Vol I, Fugue No. 3 in C-sharp major, BWV848.flac (8.3 MB) • cd1/26--WTC Vol I, Fugue No. 13 in F-sharp major, BWV858.flac (8.2 MB) • cd3/10--WTC Vol II, Fugue No. 13 in F-sharp major, BWV882.flac (8.0 MB) • cd2/24--WTC Vol II, Fugue No. 4 in C-sharp minor, BWV873.flac (7.9 MB) • cd3/02--WTC Vol II, Fugue No. 9 in E major, BWV878.flac (7.7 MB) • cd3/26--WTC Vol II, Fugue No. 21 in B-flat major, BWV890.flac (7.7 MB) • cd1/25--WTC Vol I, Prelude No. 13 in F-sharp major, BWV858.flac (7.6 MB) • cd3/31--WTC Vol II, Prelude No. 24 in B major, BWV893.flac (7.5 MB) • cd2/04--WTC Vol I, Fugue No. 18 in G-sharp minor, BWV863.flac (7.5 MB) • cd3/27--WTC Vol II, Prelude No. 22 in B-flat minor, BWV891.flac (7.4 MB) • cd2/27--WTC Vol II, Prelude No. 6 in D minor, BWV875.flac (7.4 MB) • cd3/19--WTC Vol II, Prelude No. 18 in G-sharp minor, BWV887.flac (7.3 MB) • cd2/18--WTC Vol II, Fugue No. 1 in C major, BWV870.flac (7.3 MB) • cd1/02--WTC Vol I, Fugue No. 1 in C major, BWV846.flac (7.3 MB) • cd3/29--WTC Vol II, Prelude No. 23 in B major, BWV892.flac (7.1 MB) • cd3/32--WTC Vol II, Fugue No. 24 in B major, BWV893.flac (7.0 MB) • cd1/10--WTC Vol I, Fugue No. 5 in D major, BWV850.flac (7.0 MB) • cd3/07--WTC Vol II, Prelude No. 12 in F minor, BWV881.flac (6.9 MB) • cd1/12--WTC Vol I, Fugue No. 6 in D minor, BWV851.flac (6.9 MB) • cd1/14--WTC Vol I, Fugue No. 7 in E-flat major, BWV852.flac (6.9 MB) • cd1/04--WTC Vol I, Fugue No. 2 in C minor, BWV847.flac (6.8 MB) • cd2/28--WTC Vol II, Fugue No. 6 in D minor, BWV875.flac (6.8 MB) • cd3/06--WTC Vol II, Fugue No. 11 in F major, BWV880.flac (6.7 MB) • cd3/24--WTC Vol II, Fugue No. 20 in A minor, BWV889.flac (6.5 MB) • cd2/14--WTC Vol I, Fugue No. 23 in B major, BWV868.flac (6.5 MB) • cd3/08--WTC Vol II, Fugue No. 12 in F minor, BWV881.flac (6.4 MB) • cd2/30--WTC Vol II, Fugue No. 7 in E-flat major, BWV876.flac (6.4 MB) • cd2/02--WTC Vol I, Fugue No. 17 in A-flat major, BWV862.flac (6.2 MB) • cd2/21--WTC Vol II, Prelude No. 3 in C-sharp major, BWV872.flac (6.0 MB) • cd2/10--WTC Vol I, Fugue No. 21 in B-flat major, BWV866.flac (6.0 MB) • cd2/01--WTC Vol I, Prelude No. 17 in A-flat major, BWV862.flac (5.9 MB) • cd2/29--WTC Vol II, Prelude No. 7 in E-flat major, BWV876.flac (5.9 MB) • cd3/21--WTC Vol II, Prelude No. 19 in A major, BWV888.flac (5.9 MB) • cd2/19--WTC Vol II, Prelude No. 2 in C minor, BWV871.flac (5.7 MB) • cd1/17--WTC Vol I, Prelude No. 9 in E major, BWV854.flac (5.4 MB) • cd1/11--WTC Vol I, Prelude No. 6 in D minor, BWV851.flac (5.4 MB) • cd2/03--WTC Vol I, Prelude No. 18 in G-sharp minor, BWV863.flac (5.3 MB) • cd2/20--WTC Vol II, Fugue No. 2 in C minor, BWV871.flac (5.0 MB) • cd1/22--WTC Vol I, Fugue No. 11 in F major, BWV856.flac (4.9 MB) • cd2/09--WTC Vol I, Prelude No. 21 in B-flat major, BWV866.flac (4.8 MB) • cd3/13--WTC Vol II, Prelude No. 15 in G major, BWV884.flac (4.8 MB) • cd2/07--WTC Vol I, Prelude No. 20 in A minor, BWV865.flac (4.7 MB) • cd3/22--WTC Vol II, Fugue No. 19 in A major, BWV888.flac (4.7 MB) • cd1/09--WTC Vol I, Prelude No. 5 in D major, BWV850.flac (4.4 MB) • cd2/05--WTC Vol I, Prelude No. 19 in A major, BWV864.flac (4.3 MB) • cd1/05--WTC Vol I, Prelude No. 3, in C-sharp major, BWV848.flac (4.2 MB) • cd1/18--WTC Vol I, Fugue No. 9 in E major, BWV854.flac (4.1 MB) • cd1/27--WTC Vol I, Prelude No. 14 in F-sharp minor, BWV859.flac (3.8 MB) • cd2/13--WTC Vol I, Prelude No. 23 in B major, BWV868.flac (3.8 MB) • cd1/20--WTC Vol I, Fugue No. 10 in E minor, BWV855.flac (3.7 MB) • cd3/14--WTC Vol II, Fugue No. 15 in G major, BWV884.flac (3.7 MB) • cd1/21--WTC Vol I, Prelude No. 11 in F major, BWV856.flac (3.6 MB) • cd1/29--WTC Vol I, Prelude No. 15 in G major, BWV860.flac (2.8 MB) • scans/May21~21.JPG (665.6 KB) • scans/May21~22.JPG (611.3 KB) • scans/May21~20.JPG (594.2 KB) • scans/May21~18.JPG (585.7 KB) • scans/May21~23.JPG (420.2 KB) • scans/May21~24.JPG (400.3 KB) • scans/May21~19.JPG (299.2 KB) • cd3/Glenn Gould - Bach- The Well-Tempered Clavier [3of3].log (13.0 KB) • cd2/Glenn Gould - Bach- The Well-Tempered Clavier [2of3].log (13.0 KB) • cd1/Glenn Gould - Bach- The Well-Tempered Clavier [1of3].log (13.0 KB) • cd3/Bach- The Well-Tempered Clavier [3of3].cue (8.3 KB) • cd2/Bach- The Well-Tempered Clavier [2of3].cue (8.2 KB) • cd1/Bach- The Well-Tempered Clavier [1of3].cue (8.2 KB) • cd3/00. Glenn Gould - Bach- The Well-Tempered Clavier [3of3].nfo (4.1 KB) • cd2/00. Glenn Gould - Bach- The Well-Tempered Clavier [2of3].nfo (4.1 KB) • cd1/00. Glenn Gould - Bach- The Well-Tempered Clavier [1of3].nfo (4.0 KB) • cd3/00. Glenn Gould - Bach- The Well-Tempered Clavier [3of3].md5 (2.9 KB) • cd2/00. Glenn Gould - Bach- The Well-Tempered Clavier [2of3].md5 (2.9 KB) • cd1/00. Glenn Gould - Bach- The Well-Tempered Clavier [1of3].md5 (2.9 KB) • Torrent downloaded from Demonoid.com.txt (47 bytes)
Comments (1): Grand merci pour cette merveille ! Tout est parfait…
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Files (1): 099.avi (699.5 MB)
Comments (4): I really hope there is no fkin male scat in here.. • upload more please :) Thanks! • Sorry, but I don't have any info re this. Got this last night from my local Chinese take-away. Does a mean crispy duck also. • I don't like to moan about a freebie but, unless this is hot off the press, so to speak, it would help to have some sort of description, title, stars etc. But thanks anyway! PS I like Val Doonican.
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Files (3): The.Looney.Tunes.Show.S01E10.Eligible.Bachelors.720p.WEB-DL.AAC2.0.H264-CtrlHD.mkv (659.0 MB) • release notes.txt (15.2 KB) • Torrent downloaded from Demonoid.me.txt (46 bytes)
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Description
Video Codec..........: XviD ISO MPEG-4
Video Bitrate........: 822kbps
Duration.............: 1:42:16
Resolution...........: 560*320
Framerate............: 29.970
Audio Codec..........: 0x0055 MPEG-1 Layer 3
Audio Bitrate........: 119 kbps VBR
Audio Channels.......: 2
Filesize.............: 732,794,880
Subtitles............: None
I cannot believe that there isn’t more P.D.Q. Bach torrented. For people just discovering this for the first time, P.D.Q. Bach is a fictional composer created by ACTUAL composer Dr. Peter Schickele, and is meant to be the last and least son of famous composer Johann Sebastian Bach. A dreadful composer and blatant plagiarist, P.D.Q. Bach steals famous melodies and modern songs from other composers and has them performed for full orchestra and opera companies, occasionally on fake instruments like the garden hose trumpet. Where else are you going to see a French horn player put in a penalty box for a bad note?
P.D.Q. Bach is similar to other music satirists like Spike Jones, Victor Borge, or even Weird Al, but the difference here is that Schickele has gone to incredible lengths to create full blown orchestrations as intricate and complex as any real classical composer. Active since 1965, this has led to a bogus opera (THE ABDUCTION OF FIGARO – a 1984 combination actual operas ABDUCTION OF THE SERAGLIO and MARRIAGE OF FIGARO) and about 11 albums. The liner notes on those albums, by the way, are funny beyond description. I have most of them on vinyl, I will see about getting them ripped.
Almost anybody should find this fake concert funny, but this will be a special treat for three specific groups:
1 – People who ADORE classical music and NPR radio
2 – People who DESPISE classical music and NPR radio
3 – Anyone whose parents forced them to be in orchestra as kids.
This isn’t the clumsy, halfassed satire of SNL or Jack Black, this is a masterwork requiring years of musical education to even dream of pulling off. If you know nothing of classical music, orchestral concerts and so forth, you will still like this, but (oh my GOD!) if you DO know about that world, this will blow you out of your chairs with inside jokes and just general snotty sneakiness.
http://en.wikipedia.org/wiki/P._D._Q._Bach
P. D. Q. Bach is a fictional composer invented by musical satirist "Professor" Peter Schickele. In a running gag that Schickele has used in a four-decade-long career, he performs "discovered" works of this forgotten member of the Bach family. He has recorded this music on the Vanguard and Telarc labels. Schickele's music combines parodies of musicological scholarship, the conventions of Baroque and classical music, and elements of slapstick comedy.
The name "P. D. Q." is a parody of the three-part names given to some members of the Bach family that are commonly reduced to initials, such as C. P. E., for Carl Philipp Emanuel Bach.
Among the many "facts" about the composer's life in Schickele's fictional biography of the composer, [4] we find the following:
P.D.Q. Bach was born in Leipzig on April 1, 1742[1], the son of Johann Sebastian Bach and Anna Magdalena Bach; the twenty first of Johann's twenty children.[4] According to Schickele, Bach's parents did not bother to give their youngest son a real name, and settled on "P.D.Q." instead. The only earthly possession Johann Sebastian Bach willed to his son was a kazoo.
In 1755, P.D.Q. Bach was an apprentice of the inventor of the musical saw, Ludwig Zahnstocher (German for "toothpick"). In 1756, P.D.Q. Bach met Leopold Mozart and advised him to teach his son Wolfgang Amadeus how to play billiards. Later on, P.D.Q. Bach went to St. Petersburg to visit his distant cousin Leonhard Sigismund Dietrich Bach (L.S.D. Bach), whose daughter Betty Sue bore P.D.Q. a child.
Finally, in 1770, P.D.Q. Bach started to write music, mostly by stealing melodies from other composers.
P.D.Q.'s final words, which were spoken to Betty-Sue Bach, were "Time, gentlemen." The time was exactly eleven o'clock on the evening of May 5, 1807[2] in Baden-Baden-Baden [sic], Germany.[4]
P.D.Q. Bach's grave was marked "1807–1742". The reverse order of the dates has led to some controversy, but Prof. Schickele calls the theory that P.D.Q. Bach lived his life backwards, Merlin-like, "too fanciful to merit serious consideration" and insists that the marking on the grave was a "...transparent attempt [by] the Bach family to make it appear that P.D.Q. could not possibly have been sired by Johann Sebastian, who died in 1750."[5] Nevertheless, when listing the dates in sheet music or program notes, he always includes a question mark: "(1807-1742)?"
P.D.Q. Bach's Epitaph reads [as requested by his cousin Betty Sue Bach and written by the local doggerel catcher]:
In the "original" German:
Hier liegt ein Mann ganz ohnegleich;
Im Leibe dick, an Sünden reich.
Wir haben ihn in das Grab gesteckt,
Weil es uns dünkt er sei verreckt.
Translated:
Here lies a man with sundry flaws
And numerous Sins upon his head;
We buried him today because
As far as we can tell, he's dead.
Performers:
bullet Professor Peter Schickele, conductor, wine bottle, windbreaker, slide windbreaker, singist and musicological mentor
bullet Orchestra X, Peter Jacoby, Artistic Director
bullet Okay Chorale, Tom Jaber, chorusmaster
bullet William Walters, Manager of the Stage
bullet Giff Nielsen, color commentator
bullet Michèle Eaton, singist
bullet David Düsing, singist
bullet Gerrod Pagenkopf, bargain counter tenor
bullet Jessica Smith, off-coloratura soprano
bullet Cybele Gouverneur, mezzanine-soprano
bullet John Weinel, tenor profundo
bullet Sam Handley, basso blotto
bullet Shih-Ting Huang, violin, captain of the orchestra
bullet Jaryn Philleo, oboe, double reeds
bullet Melanie Lancon, flute, slide whistle
bullet Marat Rakhmatullaev, bassoon, tromboon
bullet Cesar Martinez Bourguet, cello, discontinuo
bullet Larry Hernandez, trumpet
bullet Matt Menger, horn, shower hose in c alto
bullet Phil Moody, kazoo primo
bullet Brian Shircliffe, kazoo secundo
bullet John Welton, continuo accordiano
bullet Lillian Copeland, Ben Kamins, double reeds
bullet Patty Moeling, slide whistle
bullet Cheerleaders from the Spirit of Houston Cougar Band, themselves
bullet
Program
[1] “Desecration of the House” Overture
[2] Schleptet in Eb major, S. 0
Molto Larghissimo—Allegro Boffo
Menuetto con Brio ma Senza Trio
Adagio Saccharino
Yehudi Menuetto
Presto Hey Nonny Nonnio
[3] Iphigenia in Brooklyn, S. 53,162
I. Trumpet Involuntary
II. Aria: “When Hyperion”
III. Recitative: “And Lo!”
IV. Ground: “Dying”
V. Recitative: “And in a vision”
VI. Aria: “Running”
[4] “Unbegun” Symphony (Prof. Schickele)
III. Minuet
IV. Andante—Allegro
[5] New Horizons in Music Appreciation
Allegro con brio from Symphony No. 5 in c minor (Beethoven)
[6] Fuga Meshuga, from The Musical Sacrifice, S. 50% off
[7] The Seasonings, S. 1 1/2 tsp.
Chorus: “Tarragon of virtue is full”
Recitative: “And there were in the same country”
Duet: “Bide thy thyme”
Fugue
Recitative: “Then asked he”
Chorale: “By the leeks of Babylon”
Recitative: “Then she gave in”
Aria: “Open sesame seeds
Recitative: “So saying”
Duet: “Summer is a cumin seed”
Soloists and Chorus: “To curry favor, favor curry”
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