A downloads is the number of how many times the torrent has been downloaded according to its tracker record
A seeder is a peer that has a complete copy of the torrent and still offers it for upload. The more seeders there are, the better the chances are for completion of the file
A leech is usually a peer who has a negative effect on the swarm by having a very poor share ratio - in other words, downloading much more than they upload. Most leeches are users on asymmetric internet connections who do not leave their BitTorrent client open to seed the file after their download has completed. However, some leeches intentionally avoid uploading by using modified clients or excessively limiting their upload speed. The term leech, however, can be used simply to describe a peer - or any client that does not have 100% of the data
A peer is one instance of a BitTorrent client running on a computer on the Internet that other clients connect to and transfer data. Usually a peer does not have the complete file, but only parts of it, however, peer can be used to refer to any participant in the swarm (in this case, also known as a client). Note that the colloquial definition of peer is anybody, leech or seed, involved in a torrent
A health (or avaiability) the number of full copies of the file available to the client. Each seeder adds 1.0 to this number, as they have one complete copy of the file. A connected peer with a fraction of the file available adds that fraction to the availability, if no other peer has this part of the file. (ie. a peer with 65.3% of the file downloaded increases the availability by 0.653, when two peers who both have the same 50% of the file downloaded and there is one seeder the availability is 1.5)
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1. Main Titles
2. Blush Response
3. Wait For Me
4. Rachel's Song
5. Love Theme
6. One More Kiss, Dear
7. Blade Runner Blues
8. Memories Of Green
9. Tales Of The Future
10. Damask Rose
11. Blade Runner (End Titles)
12. Tears In Rain
For years, the soundtrack to Blade Runner held legendary status among fans of Greek synthesist Vangelis. Except for a few cuts on the Themes compilation, it had never been released on vinyl or CD, although there was an orchestral version of the score. But in 1994, 22 years after Vangelis composed the dark, edgy soundtrack to director Ridley Scott's archetypal science fiction thriller, the music of Blade Runner came out in all its cybernoir glory.
Vangelis couched his electrosymphonic score in percussive rhythms and shadowed timbres. Effectively interpolating dialogue from the film, the CD moves from the threatening tension of "Blush Response" to the ethereal wordless vocal of Mary Hopkin over a water-drop synthesizer sequence on "Rachel's Song." A few tracks, notably "Love Theme" with Dick Morrisey's smarmy saxophone solo, drip with Hollywood sentimentality, but Vangelis quickly wipes that away with the hyperdrive of "Blade Runner (End Titles)."
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