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snatch OST ---davido_labido---


 
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File name snatch OST ---davido_labido---.torrent (magnet link)
Size 80.5 Mb (84422678 bytes) Comments 0
Uploaded 2005-11-12 08:03:23 ( ago) Uploaded by anonymous
Peers 0 seeders and 1 leechers Downloads 0
Info Hash 9B29688656F06E19EAB77B3F3DE130431C3EE65F G Tz Health 0%

Trackers & scrape stats (3)

.NFO
˜°*˜°*lint 2. "Vere Iz Da Storn"-Benecio Del Toro 3. Supermoves-Overseer 4. Hernando's Hideaway-The Johnston Brothers 5. "Zee Germans"-Jason Statham 6. Golden Brown-The Stranglers 7. Dreadlock Holiday-10cc 8. Hava Naglia-John Murphy And Daniel L Griffiths 9. "Avi Arrives"-Dennis Farina 10. Cross The Tracks (We Better Go Back)-Maceo & The Macks 11. Disco Science-Mirwais 12. "Nemesis"-Alan Ford 13. Hot Pants (I'm Coming,I'm Coming)-Bobby Byrd 14. Lucky Star-Madonna 15. "Come Again"-Alan Ford 16. Ghost Town-The Specials 17. "Shrinking Balls"-Vinnie Jones 18. Sensual Woman-The Herbaliser 19. Angel-Massive Attack 20. "RRRR....Rumble"-Charles Cork 21. Fuckin' In The Bushes-Oasis 22. "Avi's Declaration"-Dennis Farina 23. Don't You Just Know It-Huey 'Piano' Smith & The Clowns Release date: 4-9-2000 Bitrate 192kbs [quote]Director Guy Ritchie has that Tarantino instinct for song intros that immediately arrest the attention. The best example is the Stranglers' classic "Golden Brown", which never gets further than its opening 30 seconds in the movie; ditto "Ghost Town" from the Specials. The album opens with the tour-de-force instrumental of Klint's "Diamond", which builds from the one instinct into his other for sustained rhythms. It's a cracking beginning as things move into triple speed with Overseer's "Supermoves". Following them up is a pretty eclectic bag of allsorts, but like the film itself, it all just about hangs together. There is reggae from 10cc with "Dreadlock Holiday", saucy soul from Bobby Byrd's "Hot Pants (I'm Coming, Coming, I'm Coming)", and oh look there's Madonna! Ritchie obviously considers their relationship his "Lucky Star". A little star power never hurts of course, and that is also provided by Massive Attack getting all Doors-like for "Angel", and Oasis "F**kin' in the Bushes". In the liberally sprinkled dialogue cuts, Alan ("Bricktop") Ford is as frightening on record as on film. It isn't quite Ritchie's Pulp Fiction, but all the hallmarks are certainly here[/quote]


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